Vaellus 001

“delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design”

“The power of undertow pulls the melody, which begins in a minimalist and elegiac mode, deeper and deeper. Heavy strikes on low harp strings summon up Neptune’s wrath, dashing heroism against the roar of the sea, permitting those naive enough to enter that dangerous water to exit, now less naive”

“Although some observers may be able to detect parallels with the blissful drift of Cluster’s II, the overheated ampstacks of prime Spacemen 3 or the becalmed modernism of Eno in these radiant trance states, the core sound of Autotelia remains in splendid isolation, an unearthly tapestry of echoes and vibrations channeled direct from the id and the ether”

“muted studies in perpetual motion, with neoclassical-style motifs that sway and gently morph to different registers and instruments”

“deeply reverbed plucks of banjo refracted against glowing horizons of sunrise drone: Americana gone ambient”

“it was like an epiphany: the calling for the missing link between Logic Trance compilations of yesteryear and the honey for the strobe light bees of today has finally been answered”

“ambient tones overweigh, as Beltran oozes the last drops of emotion from this LP, leaving the angels look down placidly”

“From wafts of dense symphonic mist emerges a floating and whirling feeling of weightlessness, before the listener steps into an eerily beautiful forest of fantasy, pulled in by the allure of a narcotic bass drum”

“comes from two single take patches in one day, composed with only a Verbos Electronics modular & BAM OTO machines reverb processor, that explores the relationship between tonal movement & rhythm across different spaces”

“I have a massive playlist of electronic ambient music which we play most nights to help our son relax and fall asleep so I decided it was time to make some of my own. I’ve tested it out and it works”

“Overmono respond to the new normal by amping up their latent melancholy and luxuriating in a rather British strain of pastoral electronica”

“the pads glow like golden hour light and the rhythm stays suspended in mid-air, a welcome bit of weightlessness before the next beat crashes in”

“this is not new age schmaltz or massage parlour ambient; it’s of a more heavy, robust ilk with vaporous afterimages of club music lingering in a sort of post-party etherglow”

“emanates musical authority, a hyperconscious layering of textures and musicality, at once evocative of some otherworldly space, yet familiar at a deep human level that resonates with each sonic flourish”

“an electronic epic that warps time and bass on the artists' mystical mission to outer space”

“mostly built live, looping and layering a single performance, pushing repetition and patterns - exploratory, cellular variations on a theme, lyrical songs that say something without lyrics”

“Like La Monte Young and The Incredible String Band stuck in an elevator”